In her own work, Susan delights in the interplay between form and content, the accidental imagery of paste paper painting, and the pleasures of discovery in paper engineering. The subjects of her work include the natural world, poetry, the intersection of myth and science, and change over time. She enjoys investigating and incorporating found materials such as mica, stone, dried plants, shells and other natural objects in her books. Pochoir, handwriting, hand-carved stamping, pen and ink, gouache, watercolor, inkjet printing and hot foil stamping are some of the techniques she employs. She notes: “The journals I have kept over the past fifteen years reflect my ongoing practice of close attention. Rapid changes in technology are influencing “first world” people in ways that separate us from our animal bodies and from the lives—vegetable, mineral, and animal/human—that our thoughtless habits are helping to destroy. Teaching and practicing close attention—through book arts and journal keeping—is my small way of resisting this trend.” Adam's Error, 2012 In the international juried exhibition entitled “Infinite Possibilities: Math, Science and the Book Arts” at 23 Sandy Gallery, Portland, OR, December, 2012. Adam's Error, 2012 In the international juried exhibition entitled “Infinite Possibilities: Math, Science and the Book Arts” at 23 Sandy Gallery, Portland, OR, December, 2012. Adam's Error, 2012 In the international juried exhibition entitled “Infinite Possibilities: Math, Science and the Book Arts” at 23 Sandy Gallery, Portland, OR, December, 2012. Field Journal, 2010 Field Journal, 2010 Field Journal, 2010 A Life's Fine Thread: Six Poems by Hazel Hall (with Jill St. Coeur), 2011 Not shown: Drop-spine box with cedar walls, magnetic closure Edition: Unique A Life's Fine Thread: Six Poems by Hazel Hall (with Jill St. Coeur), 2011 Not shown: Drop-spine box with cedar walls, magnetic closure Edition: Unique A Life's Fine Thread: Six Poems by Hazel Hall (with Jill St. Coeur), 2011 Not shown: Drop-spine box with cedar walls, magnetic closure Edition: Unique Hen and Duck series, 2008-2012 (ongoing) Hen and Duck series, 2008-2012 (ongoing) Horizon: A poem by Billy Collins, 2012 Part of the Guild of Book Workers traveling exhibition entitled “Horizon” through 2014. Horizon: A poem by Billy Collins, 2012 Part of the Guild of Book Workers traveling exhibition entitled “Horizon” through 2014. Horizon: A poem by Billy Collins, 2012 Part of the Guild of Book Workers traveling exhibition entitled “Horizon” through 2014. Marbled Toolbox, 2010 Marbled Toolbox, 2010 Field Journal: Ordinary Birds, 2010 Field Journal: Ordinary Birds, 2010 Field Journal: Ordinary Birds, 2010 Tide Pool Pop-Up, 2012 Tide Pool Pop-Up, 2012 Tide Pool Pop-Up, 2012 Tide Pool Tunnel Book, 2012 Tide Pool Tunnel Book, 2012 Tide Pool Tunnel Book, 2012 |
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Click on a small image for full, larger view and information. |
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Otter Pond Bindery Book Arts Kits |
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Bookbinding kits include all materials and printed, illustrated instructions. Age recommendations/experience levels vary as indicated. All kits also include a 10% discount on a class at Otter Pond Bindery. Kits may also include additional items as noted. Email me at susan.bonthron@gmail.com for prices, to order, and to find out about additional kits. Simple bookbinding toolkits are also available. They include a needle tool, bone folder, needle & thread, cardboard sewing cradle and cutting mat, acid-free permanent glue stick, clips and a Davey board 45° angle ruler—everything needed (except scissors) to complete the book kit projects. |
“No Glue—No Sew Accordion Book” |
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“Five Books in a Five-Minute Case” |
“Double-Signature Book in Paste Paper Wrapped Cover” |
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“Small Double-Signature Book with Marbled Cover” |
“Tracks and Traces” *Many other ID cards are available, including winter twigs, leaves, seashells, aquatic invertebrates, ferns, raptors, etc. from Libby Davidson, www.starflowerstudio.com in Colchester, VT. |
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Special commissions often focus on preserving family memories — from a twenty-volume edition of a personal memoir to unique, hand-bound wedding guest books and photo albums. High-quality materials and craftsmanship distinguish Susan's work and her open, friendly, and creative style insures that what you want is clearly understood and that her design will best suit your needs. |
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It was a complete pleasure working with Susan on a 20-volume hand-bound edition of The Mental Portrait Album adapted from one my great-grandfather had in the 1890s. She overcame several challenges with the format, created a beautiful product and cared about results as much as I did. —Jennifer Gilbert |
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